Taken on my Nikon D3300 with the 35mm f1.8 DX lens.
Zoom lenses are one of the more developed areas of modern photography, covering ultra wide angle to extreme telephoto and with increasing capability. They provide convenience and less compromise with each new version. This is to be applauded, more quality glass is always a good thing. I’m not without zoom lenses myself; I have the Canon 17-40L and 70-200 L F4 in my collection. However, my most favoured lenses have become primes. It all started with the Canon nifty fifty, that plastic, noisy lens that just happens to be good quality and at the bottom of their price range. Auto focus was loud to begin with, but stray sand got into the barrel to the point where it sounded like a robot with arthritis. So I began to manual focus it and I loved it. Prior to this, I often shot the Sigma 10-20 on my 20D and my style at that time was decidedly wide angle. That 50mm lens changed my style, for the better.
Shorn of bending perspective to my will, with results that don’t often look good to my eye a decade later, I was now shooting in a more standard way. Of course, that 50mm lens was 80mm in APS-C money, but I was now looking at potential images differently. More abstract, wooed by the fast aperture. More often stark, black and white to go with it. Primes made me change drastically from stock landscapes and long exposures, and 10 years later, had a bigger influence on my style. My next prime love was the Helios 44M. With a screwmount adapter for EOS, I was able to make use of a lens I’d idly collected when I went through a phase of buying cheap film SLRs. Wow, what a creative spark it ignited. On one trip with it I re-imagined a leaf as the Pyramid Stage at Glastonbury and the light between two tree trunks as the Hot Gates from Spartan mythology. I was thinking more about the final image, because I had one focal length and that was anything but a limitation.
Fast forward to this year and I bought the Fuji with its 35mm equivalent focal length. I also bought the Sony RX with its 24-70. It’s not that I’m zoom averse, but I just prefer the tactility of primes when manually focused. The reason I have so many different options is because I’d rather shoot with something designed for that purpose, more often. The Sony is perfect for my work bag, but unlikely to be my choice if going out specifically to photograph. This also ties in with my recent posts about smartphones and the fully manual Canon I wish existed; disparate notions, but both speak to my preferred approach to photography. That is, work within confines to boost creative thought and shoot manually as much as possible, so the act of taking the photo is all part of the experience. A good prime ties-in both of those ideals pretty well.
Thanks for reading. Matt.